![]() Any sounds you might add will be under the User bank category. The AKWF waveforms (a huge selection of single-cycle waveforms) and five other banks of sounds are available here. Semitone and fine tuning are also here, and keytracking can be enabled/disabled. A nice added feature is the Pad button which will automatically loop the sound you’ve selected. The WAV files you use need to be zipped to make a bank the synth can recognize, or you can use the SF2 format. With the Wave osc, you can load any of the included WAV files, or use your own. The Wave oscillator is in the lower right, tucked away from the two mains oscs. Last but not least, Keytracking can enabled/disabled for the second oscillator, and there’s a mix control for the output of the two oscillators. Enabling the Ring modulation will multiply the second oscillator’s output using the first oscillator’s output, and the FM control will let you adjust the semitone tuning for the first oscillator. When Sync isn’t enabled, the coarse tuning acts as a low pass filter for the white and pink noise waveform selections. One interesting added feature is enabled when you use the noise waveform and have Sync enabled: The coarse tuning will then function as a control to select between eight varied digital noise shapes. The Pulse control adjusts the PWM waveform type, and the two oscillators can also be synced. Clicking the + and – symbols on either side of the tuning control will increase or decrease by an octave at a time. The second oscillator has coarse (+/- 60 semitones) and fine tuning. FM is available here as well, so you can modulate the first oscillator using the second oscillator’s frequency. For oscillator two, you can select from triangle, saw, parabolic, PWM, white or pink noise, and square waveforms. You can select each with a click next to the waveform, or use the button below the waveforms to cycle through them. For the first oscillator, you have choices of sine, triangle, saw, parabolic, PWM, and square waveforms. Towards the middle of the display are the two main oscillators, and in the lower-right is the Wave oscillator. Towards the bottom of the display is the browser, where you can switch between the large amount of banks and the presets within them. Another way to get to that same menu is with a right-click of the mouse on nearly any blank spot in the display (i.e. That menu is also where you’d go to change the number of voices, configure key splits, import/export patches and banks, and much more. To get to those settings, you just click the Edit button on the left side. Since the display can be resized to larger formats, I opted to use the 1.5x setting. Installation was easy, and soon afterward I had it running within my DAW. It is available in VST, VST 3 and AU formats. It works with XP (or higher OS) on the PC and OS X 10.6 (or higher) on the Mac. To install on a PC or Mac you’ll need at least a Core 2 Duo CPU. The synth plugin is influenced by the Clavia Nord Lead, and can import and export Nord Lead 2 SysEx data. It’s a 128-voice virtual analog synth with sample playback capabilities, four layers, twelve oscillators, twelve filters types, re-synthesis, effects, arpeggiator, multiple display sizes, and 2x over/undersampling. For this issue of SoundBytes Magazine I thought we could take a look at the powerful Discovery Pro synth plugin. Some of those plugins include such titles as Phantom, Vertigo, Corona, and Bliss. The music software company discoDSP has been around for many years, and during that time they have developed a long line of exceptional synth plugins and soundware. We check out discoDSP’s flagship synth, Discovery Pro: a powerful synth that has a good balance of ease-of-use and features.
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